soundobservations

Nadah El Shazly

Welcome to Sonosphere! The first artist we present in our 2019 Sound Observation series is Nadah El Shazly, Egyptian composer, musician and producer. She will be performing at Crosstown Arts’ Green Room on May 31st as a part of her first tour in the U.S. We are so excited to have her in Memphis. Artist talk at 7 pm, performance at 8 pm.

Sonosphere spoke briefly with Nadah prior to her show. She talks about collaborating in the Cairo music scene, her debut album and her experiences on her first U.S. tour.

Thanks for listening.

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Sound Observations: Nicole Mitchell Performs in Memphis

Sonosphere’s last Sound Observation series for 2018 ended on a high note. We welcomed Nicole Mitchell to perform flute with electronics.

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It was a beautiful show preceded by a panel talk on Afrofuturism that we’ve posted as the first part of this Sound Observations.

The discussion informed this improv performance keeping the works of afrofuturist writers and musicians at top of mind.

Thanks for listening!

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Nicole Mitchell talks with James ‘IMMAKEMADBEATS’ Dukes.

Press Play: Analog Tara

This month the Press Play mixtape features Tara Rodgers, aka Analog Tara. Tara is a multi-instrumentalist composer and historian of electronic music and sound who produces techno tracks using analog sound sources.

This is a mix of Analog Tara tracks from the album At the Switch Hotel from 2003, written, performed, and produced by Analog Tara on synths, drum machines & more.

Tara Rodgers is a former Sonosphere podcast guest, and we are big fans of her book, Pink Noises: Women on Electronic Music and Sound. The book features 24 interviews with 24 women from the electronic music genre.

Rodgers originally hails from upstate New York and is now based in the Washington, DC area. She earned an MFA in Electronic Music & Recording Media at Mills College and a PhD in Communication Studies at McGill University.

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She’ll be presenting a free, open to the public artist talk at noon on the Crosstown Concourse Theater Stair on March 31. Later that night at 8 pm (doors at 7:30 pm), she’ll perform original compositions in Crosstown Arts’ East Atrium, including tracks from her new Fundamentals EP, out this spring on the DC label 1432R.

The performance is a ticketed event with a cash bar. Tickets are $12 and available on
Eventbrite: https://tinyurl.com/y82m3v7e

This is the first performance in Sonosphere’s Sound Observations series. This four-part series will highlight new explorations in sound through lectures and performances by musicians, composers, and scholars from across the country. Join us as we explore the sounds all around us.

Enjoy the mix: