Welcome to Sonosphere radio, today we welcome Robert Traxler, founder of the Memphis Concrete experimental music festival happening this month in Memphis – June 29th and 30th. In its third year, the Memphis Concrete music festival is featuring headliners Matmos, Moor Mother, Rapoon, Mykel Boyd, Tavishi and featuring a live score of the original Tron – all right here in Memphis at Crosstown Arts.
Robert is also an electronic music composer working with analog synths and he performs about town.
We’re happy to feature Robert’s mix on today’s Sonosphere Radio.
Louis and Bebe Barron – “Main Title” [Forbidden Planet]
Pierre Schaeffer – “Étude Pathétique (Study in Pathos)””
Halim El-Dabh – “Alcibaldis’ Monologue to Socrates”
Matmos – “Thermoplastic Riot Shield”
Zoviet France – “First Vigil”
Bülent Arel – “Postlude from ‘Music for a Sacred Service'”
Éliane Radigue – “Backward 76”
Linda Heck – “Right”
Ihcilon – “Frau im Mond Fragment Three”
Belly Full of Stars – “My God, It’s Full of Ice”
Daphne Oram – “Osram & Rank – Pulse Persephone Experiment”
Jacques Lejeune – “Apparition of the Disguised Queen”
Tavishi – “Lobhe Paap, Paape Mrityu”
Noiserpuss – “Minimum Maximum”
Vladimir Ussachevsky – “Sketch 2” [Two Sketches for a Computer Piece]
Else Marie Pade – “Prolog i Himlen” [Faust Suite]
Max Eilbacher – “For Club III”
Alice Shields – “Study for Voice and Tape”
In this month’s episode we highlight Sonosphere’s Sound Observations series. Sound Observations is a quarterly performance and lecture series featuring experimental artists from around the nation.
We were honored to host turntablist and DJ Maria Chavez, and vocalist and musician Christina Carter of The Charalambides on May 11, 2018.
Maria and Christina’s site specific works took place in the atrium of the Crosstown Concourse building, an old Sears Roebuck building retrofitted for art galleries, residential and commercial spaces. The result is echoing vocals and scratchy, vinyl sounds that swirl up a red staircase to the entrance of the stage.
Enjoy this Sound Observations performance in this month’s episode below.
To hear about Maria’s performance in Marfa, TX a few years ago, tune into an earlier episode on the Marfa Myths festival!
This month the Press Play mixtape features Tara Rodgers, aka Analog Tara. Tara is a multi-instrumentalist composer and historian of electronic music and sound who produces techno tracks using analog sound sources.
This is a mix of Analog Tara tracks from the album At the Switch Hotel from 2003, written, performed, and produced by Analog Tara on synths, drum machines & more.
Tara Rodgers is a former Sonosphere podcast guest, and we are big fans of her book, Pink Noises: Women on Electronic Music and Sound. The book features 24 interviews with 24 women from the electronic music genre.
Rodgers originally hails from upstate New York and is now based in the Washington, DC area. She earned an MFA in Electronic Music & Recording Media at Mills College and a PhD in Communication Studies at McGill University.
She’ll be presenting a free, open to the public artist talk at noon on the Crosstown Concourse Theater Stair on March 31. Later that night at 8 pm (doors at 7:30 pm), she’ll perform original compositions in Crosstown Arts’ East Atrium, including tracks from her new Fundamentals EP, out this spring on the DC label 1432R.
The performance is a ticketed event with a cash bar. Tickets are $12 and available on
This is the first performance in Sonosphere’s Sound Observations series. This four-part series will highlight new explorations in sound through lectures and performances by musicians, composers, and scholars from across the country. Join us as we explore the sounds all around us.
Enjoy the mix:
In this special, bonus episode of Sonosphere we present An Evening with Wu Fei in collaboration with Crosstown Arts. This is Fei’s live performance at the Crosstown Arts gallery on Cleveland Street in Memphis, TN on June 30, 2017. The intimate space lent itself to an interactive performance between the audience and Wu Fei as she showcases what the guzheng can do through its thousand-year history.
Wu Fei is a composer and guzheng player. She is a native of Beijing and a current Nashville resident. She is a master of the guzheng, the ancient 21-string Chinese zither. At this performance Fei told stories of her upbringing in Beijing, her relentless practice with the guzheng and how she found improv at Mills College as well as through her time in New York’s improv scene. She mixes her Western and Chinese traditional sensibilities with a contemporary, experimental dialect that only Fei can convey in her “down-to-earth,” personable way. We thank her and Crosstown Arts for an amazing show!