Author: amyess

Drones: A Brief History of Sustained Tones in Music

In this month’s episode of Sonosphere, we focus on the use of drone sounds in music. There is a lot to cover with Drone music, often known as a part of the genre of Minimalism and modern ambient. 

JoannaDemers_Drone_HeaderSonosphere caught up with Joanna Demers, author of Listening Through the Noise: The Aesthetics of Experimental Electronic Music, Drone and Apocalypse, and others. 

We will focus on the drone itself, what is drone music, and the common drone instruments as a continuation of the Birth of Modern Music series on avant-garde, classical music and minimalism.

This episode begins with the evolution of the drone sound as a musical style and aesthetic used in many parts of the world. Join us!

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Sound Observations: Nicole Mitchell Performs in Memphis

Sonosphere’s last Sound Observation series for 2018 ended on a high note. We welcomed Nicole Mitchell to perform flute with electronics.

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It was a beautiful show preceded by a panel talk on Afrofuturism that we’ve posted as the first part of this Sound Observations.

The discussion informed this improv performance keeping the works of afrofuturist writers and musicians at top of mind.

Thanks for listening!

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Nicole Mitchell talks with James ‘IMMAKEMADBEATS’ Dukes.

Sound Observations on Afrofuturism: Building Communities

We are ending 2018 on a very inspiring note. We hosted our final Sound Observation series by inviting Chicago-based composer Nicole Mitchell to Memphis.

In this episode, we present Afrofuturism: Building Communities, a panel that explored beyond the concept of Afrofuturism. Memphis based Publisher and Author Sheree Renee Thomas led the discussion featuring Nicole Mitchell, and a few Memphians, including Producer/Performer and CEO of James Dukes aka “IMAKEMADBEATS,” Author/ Publisher Troy Wiggins, and Emcee, Teacher, and Author Danian Jerry.

IMG_7139They went beyond explaining afrofuturism and talked about how afrofuturism exists as much in the present as in the past and future. They also discussed how it can be used as a tool to help the community and build worlds that fit a black narrative.

Stay tuned to the next episode featuring Nicole Mitchell’s performance at Crosstown Arts.

Thank you for a wonderful year. Sit back and enjoy this fulfilling conversation. 

Unapologetic: A Conversation at Dirty Socks Studios

This episode Sonosphere visits Dirty Socks Studios, which is the base camp for Unapologetic. The studio is a sanctuary for those who dare to commit to their craft. The theme is dedication to yourself and your mission. unapologeticV5-copy-300x295

Unapologetic is a collective that looks to push Memphis forward. The collective is a cast of characters that are as odd as their aliases. Lead by IMAKEMADBEATS, Unapologetic has put the city on notice. Memphis has the reputation that you have to leave to make it in most industries especially music. Non-Memphians tend to capitalize on the “Memphis Sound,”

Unapologetic is changing that notion. This starts in Dirty Socks Studios where we will pick up our conversation.

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Korean cellist, composer, and improviser, Okkyung Lee talks with Sonosphere about her time at this year’s Big Ears festival in Knoxville, TN, working with Evan Parker, learning to love the cello, and what’s in store for her this year.

 

 

Join us!

 

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Okkyung Lee performing at Big Ears Knoxville 2018

Remix Memphis: The Sounds around the City

This episode Sonosphere dives into Remix Memphis with Alex Greene and Luis Seixas, two Memphis musicians that make the duo The E.G.G.G.

Remix Memphis grew out of a partnership with the Urban Arts Commission and the city of Memphis’ 3.0 comprehensive planning initiative that worked to solicit participation from community leaders, residents and planners to inform future land use and neighborhood plans for the city.

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Alex Greene demonstrating the sounds of Memphis at the Carpenter Art Garden.

Art was an important piece. As a musician Alex was interested in the sounds of the city. He talks with us about the process and how The E.G.G.G. and other local musicians are using the field recordings from Remix Memphis.

Enjoy the episode and if your interested in learning more about the recordings email: remix.memphis@gmail.com

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The E.G.G.G. performing at the Cove in May 2018

Sound Observations with Maria Chavez & Christina Carter

In this month’s episode we highlight Sonosphere’s Sound Observations series. Sound Observations is a quarterly performance and lecture series featuring experimental artists from around the nation.

We were honored to host turntablist and DJ Maria Chavez, and vocalist and musician  Christina Carter of The Charalambides on May 11, 2018.

Maria and Christina’s site specific works took place in the atrium of the Crosstown Concourse building, an old Sears Roebuck building retrofitted for art galleries, residential and commercial spaces. The result is echoing vocals and scratchy, vinyl sounds that swirl up a red staircase to the entrance of the stage.

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Enjoy this Sound Observations performance in this month’s episode below.

 

To hear about Maria’s performance in Marfa, TX a few years ago, tune into an earlier episode on the Marfa Myths festival! 

 

Kai Riedl: Moogfest Continued…

“….the synthesis of music, art and technology.”

Moogfest continued… brings you a brief interview with Kai Riedl, Operations Director at Moogfest. He says this festival seeks to bring new forms of creativity, form communities around art and technology, and create spaces for artists of all inclinations, genres, subcultures and movements.

Although it seems timely to showcase female and non-binary artists this year, according to Kai, Moogfest has had a history of being an inclusive festival.

Check out the interview below!

 

Tracks in the episode:

Smerz – Worth It

Caterina Barbieri – Information Needed to Create

Mouse on Mars – Dimensional People I

Jon Hopkins – Singularity

Michael Stipe – Everything’s Coming Undone

And don’t miss the past episodes we posted on this year’s Moogfest participants Tess Roby and Delta Sound Labs.

 

Vorticity: Delta Sound Labs at MoogFest

Sonosphere ventured out to North Carolina for MoogFest this year and we caught up with Memphis-based Delta Sound Labs.

Their audiovisual installation called Vorticity was a collaboration between Delta Sound Labs + Nokia Bell Labs at American Underground in Durham, NC. This interactive, data-art set brought science and art together. Of the free programming, this fun, collaborative piece showcased what Delta Sound Labs can create with innovative, high-speed Schlieren imaging equipment and two sonified datasets. Colorful bubbles sliding around the screen were generated and distorted with every new person walking through the scene.

“The sets are converted to analog control voltage using Delta Sound Labs’ Control module and then mapped to determine the timbral structure of two voltage controlled oscillators through a form of distortion synthesis called wavefolding. Each data set forms two short sections, which are repeated continuously,” as explained by the guys themselves. Check out their Moogfest experience on their blog.

 

video from deltasoundlabs.com

For more on our trip to MoogFest – check out our podcast interview with Tess Roby!

 

Tess Roby at Moog Fest 2018

Hi guys, this month we highlight our conversation with Tess Roby from our Moog Fest visit back in May this year. She recently released her debut album Beacon on Italians Do It Better.

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Hailing from Montreal, Tess Roby brings dreamy synths and strong vocals on melodic tracks like “Given Signs” and “Catalyst.” She talks to us about her inspiration for Beacon, how her photography inspires songwriting and how growing up in a musical family lead her to collaborating with her brother on her debut.

Enjoy!