In 2009 hundreds of Florence B. Price compositions were recovered from an abandoned house in southern Illinois. Throughout the past decade these pieces began to be transcribed and distributed throughout the world. Florence B. Price’s works pull from negro-spirituals and music of the times.
The southern influence is apparent with jubilee dances and bouncy rhythms drawing you to Arkansas and the natural beauty that exists there. She was also influenced by Russian composer Antonin Dvorak. When she moved to Chicago, her compositions still reflected her southern roots and as you will learn she kept an ear to the ground on the happenings of the music scene during her time in chicago. She was much more than a composer, she also taught many students including Margaret Bonds, who was a black pianist and composer.
On this episode, part 7 of our Birth of Modern Music series, we dive into the life and work of Florence B. Price. We talk with Karen Walwyn, A. Kori Hill, Douglas Shadle and Maeve Brophy about who she was, and how her music told her story.
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Tracklist: Nakweda Dream – Zru VogueInterzone – Joy Division Model Worker – Magazine Floss – Gomme Private Idaho – B-52sHalf-Life – Martin Lloyd Maquinas – Cuidad Lineal Palais D’amour – Bal Pare Running After Ganymede – Jack Name Pretender – Black Marble Mickey, Please. – Bene Geserit Lidda – Mammane Sani Et Son Orgue Fire By The River – Harumi Change In Autumn’s Feral Depths – Nonconnah Feat. Owen Pallett & Jenn Taiga
Welcome to Sonosphere! The first artist we present in our 2019 Sound Observation series is Nadah El Shazly, Egyptian composer, musician and producer. She will be performing at Crosstown Arts’ Green Room on May 31st as a part of her first tour in the U.S. We are so excited to have her in Memphis. Artist talk at 7 pm, performance at 8 pm.
Sonosphere spoke briefly with Nadah prior to her show. She talks about collaborating in the Cairo music scene, her debut album and her experiences on her first U.S. tour.