electronic music

Underscore: Christian Fennesz

Today on Sonosphere Amy talks with Christian Fennesz, electronic music composer and musician. Amy caught up with Fennesz at the annual Big Ears Festival in Knoxville. As the first in-person fest in two years, Big Ears was bigger than ever. Acts from all over the nation and the world descended upon the smokey mountain city and brought amazing sounds, visuals, and excellence in musical composition. Always a Sonosphere favorite!

Amy and Fennesz at Big Ears 2022

Join Chris and Amy live from WYXR studio in Memphis for some tunes by Fennesz and collaborators like Sparklehorse, Ryuichi Sakamoto, Ulver, and more! Christian Fennesz left for his U.S. tour after Big Ears. For more information on Fennesz please visit his website.

Fennesz performing at Big Ears 2022

Track List:

  1. Fennesz/Ulver – Only the Poor Have to Travel
  2. King Midas Sound/Fennesz – On my Mind
  3. Fennesz/David Sylvian – Transit
  4. Glenn Gould Gathering
  5. Sparklehorse, PJ Harvey – Piano Fire
  6. Sparklehorse/Fennesz – Goodnight Sweetheart
  7. Fennesz/Ryuichi Sakamoto – Haru
  8. Tim Hecker – Celestina
  9. Jim O’Rourke/Sonic Youth – Hungara Vivo
  10. Oneohtrix Point Never – Auto & Allo
  11. Jensen Sportag – Rain Code (Fennesz Remix)

Detective No. 1

Ready to score.

Today we talk with Detective – a collective of musicians, singers, songwriters and friends. In 2019 they released an album showcasing the range of their skills – from Blaxploitation to eerie sci-fi synths, this group really does it all!

We discuss Detective’s influences, favorite movies and technique’s they used to arrange the album. We also talk with Josh Breeden, aka St. Francis Elevator Ride, the “visual maestro” of the group. Josh brings video and digital art and design, driving the whole band’s film noir and horror aesthetic.

Come out to Black Lodge on Friday, March 18th for the entire experience!

Sheltering in Place with Analog Tara and Carolina Eyck

Welcome to Sonosphere. On this special episode we catch up with a couple artists we’ve featured on our podcast to see how they’ve been faring in quarantine during the COVID-19 pandemic. First, we hear from producer and electronic composer Tara Rodgers, aka Analog Tara. Tara performed here in Memphis for our Sound Observation series a couple years ago in partnership with Crossotown Arts. Then we’ll hear from theremin master, musician and composer Carolina Eyck. Carolina Eyck is working on a project in Berlin and Tara catches up on some of her live stream shows, new music coming soon and what she’s been reading in this time of social distancing. I hope you have been safe and well. And if you’d like to share some stories or music with us email us at sonospherepodcast@gmail.com

sonosphere · Shelter in Place with Analog Tara and Carolina Eyck

The music you hear from Tara Rodgers is her Fundamentals album that can be found here and Carolina Eyck’s music is from her album Elegies for Theremin and Voice and can be found here.

Our past episode featuring playlist by analogtara is here and the interview with Carolina can be found here.

Thanks for listening.

Drones: A Brief History of Sustained Tones in Music

In this month’s episode of Sonosphere, we focus on the use of drone sounds in music. There is a lot to cover with Drone music, often known as a part of the genre of Minimalism and modern ambient. 

JoannaDemers_Drone_HeaderSonosphere caught up with Joanna Demers, author of Listening Through the Noise: The Aesthetics of Experimental Electronic Music, Drone and Apocalypse, and others. 

We will focus on the drone itself, what is drone music, and the common drone instruments as a continuation of the Birth of Modern Music series on avant-garde, classical music and minimalism.

This episode begins with the evolution of the drone sound as a musical style and aesthetic used in many parts of the world. Join us!

Kai Riedl: Moogfest Continued…

“….the synthesis of music, art and technology.”

Moogfest continued… brings you a brief interview with Kai Riedl, Operations Director at Moogfest. He says this festival seeks to bring new forms of creativity, form communities around art and technology, and create spaces for artists of all inclinations, genres, subcultures and movements.

Although it seems timely to showcase female and non-binary artists this year, according to Kai, Moogfest has had a history of being an inclusive festival.

Check out the interview below!

 

Tracks in the episode:

Smerz – Worth It

Caterina Barbieri – Information Needed to Create

Mouse on Mars – Dimensional People I

Jon Hopkins – Singularity

Michael Stipe – Everything’s Coming Undone

And don’t miss the past episodes we posted on this year’s Moogfest participants Tess Roby and Delta Sound Labs.

 

Vorticity: Delta Sound Labs at MoogFest

Sonosphere ventured out to North Carolina for MoogFest this year and we caught up with Memphis-based Delta Sound Labs.

Their audiovisual installation called Vorticity was a collaboration between Delta Sound Labs + Nokia Bell Labs at American Underground in Durham, NC. This interactive, data-art set brought science and art together. Of the free programming, this fun, collaborative piece showcased what Delta Sound Labs can create with innovative, high-speed Schlieren imaging equipment and two sonified datasets. Colorful bubbles sliding around the screen were generated and distorted with every new person walking through the scene.

“The sets are converted to analog control voltage using Delta Sound Labs’ Control module and then mapped to determine the timbral structure of two voltage controlled oscillators through a form of distortion synthesis called wavefolding. Each data set forms two short sections, which are repeated continuously,” as explained by the guys themselves. Check out their Moogfest experience on their blog.

 

video from deltasoundlabs.com

For more on our trip to MoogFest – check out our podcast interview with Tess Roby!

 

Tess Roby at Moog Fest 2018

Hi guys, this month we highlight our conversation with Tess Roby from our Moog Fest visit back in May this year. She recently released her debut album Beacon on Italians Do It Better.

Tess perform

Hailing from Montreal, Tess Roby brings dreamy synths and strong vocals on melodic tracks like “Given Signs” and “Catalyst.” She talks to us about her inspiration for Beacon, how her photography inspires songwriting and how growing up in a musical family lead her to collaborating with her brother on her debut.

Enjoy!

Memphis Concrete: Experimental Electronic Music Festival

This week’s Press Play features On Trianges – Sound in Geometry Series Volume 1 the playlist affiliated with this year’s Memphis Concrète experimental electronic music festival. It will be held at Crosstown Arts and will feature new musicians from the Memphis region and across the country.

This recording of electronic music presents the works of local and regional artists that will be featured at the festival.

Enjoy!

 

Get your tickets to the festival, June 22-24 in Memphis, TN: https://www.eventbrite.com/e/memphis-concrete-2018-tickets-45151261639?aff=efbeventtix

Press Play: Analog Tara

This month the Press Play mixtape features Tara Rodgers, aka Analog Tara. Tara is a multi-instrumentalist composer and historian of electronic music and sound who produces techno tracks using analog sound sources.

This is a mix of Analog Tara tracks from the album At the Switch Hotel from 2003, written, performed, and produced by Analog Tara on synths, drum machines & more.

Tara Rodgers is a former Sonosphere podcast guest, and we are big fans of her book, Pink Noises: Women on Electronic Music and Sound. The book features 24 interviews with 24 women from the electronic music genre.

Rodgers originally hails from upstate New York and is now based in the Washington, DC area. She earned an MFA in Electronic Music & Recording Media at Mills College and a PhD in Communication Studies at McGill University.

SoundObservations_Poster_TaraRodgers

She’ll be presenting a free, open to the public artist talk at noon on the Crosstown Concourse Theater Stair on March 31. Later that night at 8 pm (doors at 7:30 pm), she’ll perform original compositions in Crosstown Arts’ East Atrium, including tracks from her new Fundamentals EP, out this spring on the DC label 1432R.

The performance is a ticketed event with a cash bar. Tickets are $12 and available on
Eventbrite: https://tinyurl.com/y82m3v7e

This is the first performance in Sonosphere’s Sound Observations series. This four-part series will highlight new explorations in sound through lectures and performances by musicians, composers, and scholars from across the country. Join us as we explore the sounds all around us.

Enjoy the mix: