Welcome back to Sonosphere’s Birth of Modern Music series featuring modern European, classical composers that inspired the experimental, avant garde art and music scenes of the 50s, 60s and resonate in music composition today.
In the first episode of the series we highlighted Arnold Schoenberg whose atonal works ushered in a new school of composers. Then we moved to Erik Satie whose Vexations and other “sonic experiments” influenced his peers and John Cage who discovered the piece years later. After that we covered Edgard Varese, a peculiar composer who sculpted sounds in a way never accomplished previously. Today we will delve into the life and works of Olivier Messiaen.
Messiaen escaped the world of composition’s shift to serialism through religion, nature, and birdsong, but he had a profound influence on the evolution of electronic music composition through composers like Karlheinz Stockhausen, Pierre Boulez, and Xenakis.
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Songs in this month’s episode:
- Des Canyons Aux Etoiles I: Le Desert
- Des Canyons Aux Etoiles II: Les Orioles
- Preludes: La Colombe (The Dove)
- Quartet for the End of Time
- Turangalila – Symphonie
- Mode de valeurs et d’intensites
- Meditations sur le mystere de la Sainte Trinite
photo: Catalogue d’Oiseaux: styriarte.com