Today we talk with Detective – a collective of musicians, singers, songwriters and friends. In 2019 they released an album showcasing the range of their skills – from Blaxploitation to eerie sci-fi synths, this group really does it all!
We discuss Detective’s influences, favorite movies and technique’s they used to arrange the album. We also talk with Josh Breeden, aka St. Francis Elevator Ride, the “visual maestro” of the group. Josh brings video and digital art and design, driving the whole band’s film noir and horror aesthetic.
Come out to Black Lodge on Friday, March 18th for the entire experience!
Stream Sonic Tonic 3 on all the platforms and tune in to wyxr.org Mondays 4-5pm CT for Sonosphere program streaming live.
Tracklist: Nakweda Dream – Zru VogueInterzone – Joy Division Model Worker – Magazine Floss – Gomme Private Idaho – B-52sHalf-Life – Martin Lloyd Maquinas – Cuidad Lineal Palais D’amour – Bal Pare Running After Ganymede – Jack Name Pretender – Black Marble Mickey, Please. – Bene Geserit Lidda – Mammane Sani Et Son Orgue Fire By The River – Harumi Change In Autumn’s Feral Depths – Nonconnah Feat. Owen Pallett & Jenn Taiga
Welcome to Sonosphere. Here we feature our second show live on WYXR. We couldn’t be more excited for today’s show. Last week, we featured an interview with abstract turntablist Maria Chavez and vocalist Christina Carter. Today, we will continue our journey exploring the record player. You will hear some music from Cut Chemist, Handel, Lee Scratch Perry, Cab Callaway, Grandmaster Flash and others during the next hour. We will highlight the rise of the radio disc jockey and sampling.
Thanks to WYXR! Check out the newest station in Memphis.
Today on Sonosphere Amy talks with Christian Fennesz, electronic music composer and musician. Amy caught up with Fennesz at the annual Big Ears Festival in Knoxville. As the first in-person fest in two years, Big Ears was bigger than ever. Acts from all over the nation and the world descended upon the smokey mountain city and brought amazing sounds, visuals, and excellence in musical composition. Always a Sonosphere favorite!
Join Chris and Amy live from WYXR studio in Memphis for some tunes by Fennesz and collaborators like Sparklehorse, Ryuichi Sakamoto, Ulver, and more!
For a full track list visit http://www.sonospherepodcast.com
Welcome to Sonosphere radio, today we welcome Robert Traxler, founder of the Memphis Concrete experimental music festival happening this month in Memphis – June 29th and 30th. In its third year, the Memphis Concrete music festival is featuring headliners Matmos, Moor Mother, Rapoon, Mykel Boyd, Tavishi and featuring a live score of the original Tron – all right here in Memphis at Crosstown Arts.
Robert is also an electronic music composer working with analog synths and he performs about town.
We’re happy to feature Robert’s mix on today’s Sonosphere Radio.
Louis and Bebe Barron – “Main Title” [Forbidden Planet]
Pierre Schaeffer – “Étude Pathétique (Study in Pathos)””
Halim El-Dabh – “Alcibaldis’ Monologue to Socrates”
Matmos – “Thermoplastic Riot Shield”
Zoviet France – “First Vigil”
Bülent Arel – “Postlude from ‘Music for a Sacred Service'”
Éliane Radigue – “Backward 76”
Linda Heck – “Right”
Ihcilon – “Frau im Mond Fragment Three”
Belly Full of Stars – “My God, It’s Full of Ice”
Daphne Oram – “Osram & Rank – Pulse Persephone Experiment”
Jacques Lejeune – “Apparition of the Disguised Queen”
Tavishi – “Lobhe Paap, Paape Mrityu”
Noiserpuss – “Minimum Maximum”
Vladimir Ussachevsky – “Sketch 2” [Two Sketches for a Computer Piece]
Else Marie Pade – “Prolog i Himlen” [Faust Suite]
Max Eilbacher – “For Club III”
Alice Shields – “Study for Voice and Tape”
Welcome to Sonosphere! The first artist we present in our 2019 Sound Observation series is Nadah El Shazly, Egyptian composer, musician and producer. She will be performing at Crosstown Arts’ Green Room on May 31st as a part of her first tour in the U.S. We are so excited to have her in Memphis. Artist talk at 7 pm, performance at 8 pm.
Sonosphere spoke briefly with Nadah prior to her show. She talks about collaborating in the Cairo music scene, her debut album and her experiences on her first U.S. tour.
This episode Sonosphere dives into Remix Memphis with Alex Greene and Luis Seixas, two Memphis musicians that make the duo The E.G.G.G.
Promo for University District Remix Memphis Session
Remix Memphis grew out of a partnership with the Urban Arts Commission and the city of Memphis’ 3.0 comprehensive planning initiative that worked to solicit participation from community leaders, residents and planners to inform future land use and neighborhood plans for the city.
Alex Greene demonstrating the sounds of Memphis at the Carpenter Art Garden.
Art was an important piece. As a musician Alex was interested in the sounds of the city. He talks with us about the process and how The E.G.G.G. and other local musicians are using the field recordings from Remix Memphis.
Enjoy the episode and if your interested in learning more about the recordings email: email@example.com
In this month’s episode we highlight Sonosphere’s Sound Observations series. Sound Observations is a quarterly performance and lecture series featuring experimental artists from around the nation.
We were honored to host turntablist and DJ Maria Chavez, and vocalist and musician Christina Carter of The Charalambides on May 11, 2018.
Maria and Christina’s site specific works took place in the atrium of the Crosstown Concourse building, an old Sears Roebuck building retrofitted for art galleries, residential and commercial spaces. The result is echoing vocals and scratchy, vinyl sounds that swirl up a red staircase to the entrance of the stage.
Enjoy this Sound Observations performance in this month’s episode below.