Podcast

Vorticity: Delta Sound Labs at MoogFest

Sonosphere ventured out to North Carolina for MoogFest this year and we caught up with Memphis-based Delta Sound Labs.

Their audiovisual installation called Vorticity was a collaboration between Delta Sound Labs + Nokia Bell Labs at American Underground in Durham, NC. This interactive, data-art set brought science and art together. Of the free programming, this fun, collaborative piece showcased what Delta Sound Labs can create with innovative, high-speed Schlieren imaging equipment and two sonified datasets. Colorful bubbles sliding around the screen were generated and distorted with every new person walking through the scene.

“The sets are converted to analog control voltage using Delta Sound Labs’ Control module and then mapped to determine the timbral structure of two voltage controlled oscillators through a form of distortion synthesis called wavefolding. Each data set forms two short sections, which are repeated continuously,” as explained by the guys themselves. Check out their Moogfest experience on their blog.

 

video from deltasoundlabs.com

For more on our trip to MoogFest – check out our podcast interview with Tess Roby!

 

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Tess Roby at Moog Fest 2018

Hi guys, this month we highlight our conversation with Tess Roby from our Moog Fest visit back in May this year. She recently released her debut album Beacon on Italians Do It Better.

Tess perform

Hailing from Montreal, Tess Roby brings dreamy synths and strong vocals on melodic tracks like “Given Signs” and “Catalyst.” She talks to us about her inspiration for Beacon, how her photography inspires songwriting and how growing up in a musical family lead her to collaborating with her brother on her debut.

Enjoy!

Rachel Grimes

Sonosphere spoke with Rachel Grimes about her score for the film The Doctor from India. Rachel talks about the composition and the ways this film has inspired her to pay closer attention to the way she lives her own life. The interview took place via telephone on April 4th, 2018 and Rachel talks about the importance of this date. Enjoy!

An ethereal and meditative soundtrack album from pianist and composer Rachel Grimes (Rachel’s, King’s Daughters & Sons), The Doctor from India features piano, Scott Moore on violin, Jacob Duncan on saxophone, interspersed with harp, strings, and ambient sound design. Created for a new documentary film by Jeremy Frindel, this score provides a thematically unified soundscape to support the inspiring story of Dr. Vasant Lad, a holistic health pioneer whose approach centers around the ancient practice of Ayurveda. The immersive, contemplative track “Moving Into Night” is streaming now on Bandcamp, and you can also pre-order the album.

The film had its world premiere at the Santa Barbara International Film Festival on February 2, 2018. Zeitgeist Films, in association with Kino Lorber, will be screening theatrically throughout the spring alongside a VOD release. The film tells fascinating story of one man’s mission to bring the ancient healthcare system of wellness called Ayurveda from India to the West in the late 1970s. In this meditative, immersive portrait, with interviewees including Ayurvedic practitioner Deepak Chopra, Frindel documents the life and work of Dr. Vasant Lad who, fulfilling his destiny as foretold by his family guru became a holistic health pioneer, helping to bring Ayurveda, which was almost unknown when he first arrived in the west, to become one of the most prominent alternative health systems in the world today. Check out the film site and watch the trailer.

Heralded as “one of American independent music’s few truly inspired technicians” by WIRE magazine, Rachel Grimes is a pianist, composer, and arranger based in Kentucky. Widely known for her role in the groundbreaking chamber ensemble Rachel’s, (six albums on Quarterstick/Touch and Go), she has since toured worldwide as a solo pianist, and as a collaborator with various artists.

Her work has been performed by ensembles such as the Louisville Orchestra, Kansas City Symphony, A Far Cry, Longleash, Portland Cello Project, Amsterdam Sinfonietta Trio, Dublin Guitar Quartet, Borusan Quartet and Önder sisters. Releases include Through the Sparkle (with astrïd on Gizeh Records 2017), The Clearing (Temporary Residence Ltd. 2015), Book of Leaves, Marion County 1938, and Compound Leaves. Collaborators include Matthew Nolan, Erik Friedlander, Loscil, SITI Company, Joan Shelley, Nathan Salsburg, Jacob Duncan, Scott Moore, astrid, Chris Wells, and Julia Kent with the artist Peter Liversidge. She is also a member of Louisville band King’s Daughters & Sons (Chemikal Underground). She scores for film and multimedia installations (Donna Lawrence Productions) and has licensed music to numerous film and TV works internationally.

Tracks (The Doctor from India):

The Doctor Arrives

The Flowering of Arurveda

Sacred Knowledge

The Art of Listening

Quackery

I Do What I Love

 

Aukai

We spoke with Aukai about his upcoming release Branches of the Sun (March 9). Aukai is Markus Sieber — who spends time in Tulum, Mexico and Germany, in addition to Colorado — recorded the ambient-acoustic album in a small cabin high up in the mountains near the Old Spanish Trail in Colorado last winter, free of any outside human or technological influences.
The new record is darker and more layered than the last one — less thematic, more atmospheric this time– but it is richly produced with pieces that juxtapose the cold surroundings of their creation with a warmth of sound and spirit. Guests include Nils Frahm collaborator Anne Müller on cello, Berlin composer Alex Nickmann on synths, beats and mellotron, and was produced by Martyn Heyne (7K!, Dustin O’Halloran, etc).
Featured Tracks:
“Branches of the Sun”
“Iztac”
“Turning Days”
“Distracted by Clouds”
Colorado

Iceberg New Music Collective Visits Memphis

New York City-based composer collective ICEBERG New Music was in residence at Crosstown Arts here in Memphis for two weeks of concerts, workshops, and lectures back in June of 2017. 

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We spoke with composers from the second of the two concerts in the Crosstown Arts series, and attended their workshops and lectures that ranged from a “Sound Scavenger Hunt” to a lecture on “Popular and Classical Music in 1960s America.” Memphis-based contemporary chamber group Blueshift Ensemble collaborated with ICEBERG and performed the collective’s original compositions for the concert series.

I hope you enjoy our talk about Iceberg’s mission, the future of new music, collaboration, blending genre’s and more!

 

 

Special thanks to Iceberg New Music, Jenny Davis and the Blueshift Ensemble, and Justin Thompson and the whole Crosstown Arts Community.

Track listing:

Alex Burtzos – OMAHA (all the things you could be you are you were) for string quartet

Drake Andersen – Photons for flute and clarinet

Yu-Chun Chien – Co-Composition for a cellist

Jonathan Russ – Eat Your Vegetables for solo clarinet

Harry Stafylakis – Unrelent for flute, clarinet, violin, cello, piano, and percussion

Birth of Modern Music Part 6: John Cage

 

Cage let chance override musical composition the way it plays upon nature. He focused on the subtleties between sound and silence, the same way they intertwine in existence. Embracing noise as others did before him, including Russolo, Satie, and Varese, Cage was able to transcend the bounds of traditional music composition that would baffle the avant-garde world for decades. In this episode we talk with Laura KuhnJames Pritchett, and Brian Brandt of Mode Records

 

 

Martyn Heyne: Electric Intervals

This month Sonosphere talks with Martyn Heyne, composer, producer and engineer. Martyn has a new album out on November 17th called Electric Intervals on !K7 Records’ new imprint 7K!

We discuss the making of this album, which is his first full length solo work. Martyn has worked in a producer and engineering role with the likes of Nils Frahm, The National, Efterklang, Peter Broderick, and others.

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We also chat about the creating the video of the single “Carry” with FELD, the Berlin based design studio behind the album’s imagery, and the nuisances involved in listening and recording music.

Join us!

Tracks in this episode:

The National – Don’t Swallow the Cap

Martyn Heyne – Curium

Martyn Heyne – Carry

Funkstörung – Test

 

 

 

 

“Sixty Soulful Years” The Story of Royal Studios

 

This month Sonosphere teams up with the Rock ‘n’ Soul Museum and the Memphis Musicology podcast to bring you 60 years of Royal Studios. We visit with co-owner and music producer Boo Mitchell on a tour of Royal Studios in South Memphis.

IMG_3322Royal turns 60 this year and in this episode we’ll reminisce with singer/songwriter Don Bryant on writing hit songs and singing with Willie Mitchell’s band; legendary recording artist Ann Peebles and the magical night behind her hit “I Can’t Stand the Rain;” Memphis musician Scott Bomar on Willie Mitchell’s legacy as teacher, producer and engineer of so many classic hits; and Amber Hamilton with the Memphis Music Initiative and the partnership they have with Royal to pass on its legacy to the future talent.

Come celebrate with Boo and the Mitchell family at the Levitt Shell on October 14th featuring local, regional and national artists and November 18th for the grand finale event at the Orpheum. For more information visit royalstudios.com

Special thanks to Ezra Wheeler from the Rock ‘n’ Soul Museum and host of the Memphis Musicology podcast for co-producing this episode with Sonosphere.

 

 

 

To Be Continuum

Crosstown Arts played host to Continuum Music Festival August 3-5, 2017. Continuum Music Festival was the idea Jenny Davis and Jonathan Kirkscey of Blueshift Ensemble . Continuum was “a festival of collaborations among musicians and artists working in diverse genres from Memphis and beyond, bringing to life unique performance experiences in the historic CroIMG_3439sstown neighborhood.”  The festival featured performances from River City Flute Quartet, Nief-Norf, Chatterbird, Don Lifted, Luna Nova, Rob Jungklas, and Blueshift Ensemble.  We were able to catch up with Jonathan Russ, performers, and members of the various music collectives. We present to you our latest episode which recaps Continuum and gives insight to what is going on not only in Memphis but all across Tennessee. Thanks to Jenny Davis, Jonathan Kirkscey, Lawrence Matthews, Patricia Gray, Robert G. Patterson, Celine Thackston, Maya Stone, Jesse Strauss, Ashley Walters, Jay Sorce, Jonathan Russ, Rob Jungklas and all of Crosstown Arts. Enjoy!

Memphis Concrete: An Experimental Electronic Music Fest in the MidSouth

On June 24th and 25th of 2017 an interesting experimental electronic music fest descended upon the MidSouth with artists primarily from Memphis, Mississippi, and the southeast.

20170616_081359“I wanted to take electronic music back to its roots,” said creator Robert Traxler. His inception for the fest came from the experimental spirit of the original electronic music artists like Delia Derbyshire, Karlheinz Stockhausen, John Cage, Pauline Oliveros, Suzanne Ciani, Pierre Schaeffer, and many, many more from the 1940s, 50s and 60s. But musique concrete is not all we found at this festival. Harsh noise, techno, ambient analog improv sets, and a live score of Forbidden Planet were a few of the performances found at Memphis Concrete.

Take a tour through the fest with Robert and some of the talented artists that participated in the Memphis Concrete Festival in the latest episode of Sonosphere.

 

 

 

Thanks to:

Robert Traxler

Dominic Van Horn (Aster, manualcontrol)

Luis Seixas

Ben Bauermeister

Kim Rueger (Belly Full of Stars)

Connor Brown (Cheap Spirits)

Kane Blanchard (Tatras)

Kole Oakes (Pas Moi)

The live Memphis Concrete sets heard here by Belly Full of Stars, Aster, Cheap Spirits, Pas Moi, Ben Bauermeister, Tatras, manualcontrol, and Robert Traxler were captured and edited by Robert Traxler.

 

Two other tracks used by participants in the fest are “#2” by NEPTR and “Viginti Quintuplet” by Ben Ricketts. Thanks to all the artists for sharing their time and work.