Korean cellist, composer, and improviser, Okkyung Lee talks with Sonosphere about her time at this year’s Big Ears festival in Knoxville, TN, working with Evan Parker, learning to love the cello, and what’s in store for her this year.
This episode Sonosphere dives into Remix Memphis with Alex Greene and Luis Seixas, two Memphis musicians that make the duo The E.G.G.G.
Remix Memphis grew out of a partnership with the Urban Arts Commission and the city of Memphis’ 3.0 comprehensive planning initiative that worked to solicit participation from community leaders, residents and planners to inform future land use and neighborhood plans for the city.
Art was an important piece. As a musician Alex was interested in the sounds of the city. He talks with us about the process and how The E.G.G.G. and other local musicians are using the field recordings from Remix Memphis.
Enjoy the episode and if your interested in learning more about the recordings email: email@example.com
In this month’s episode we highlight Sonosphere’s Sound Observations series. Sound Observations is a quarterly performance and lecture series featuring experimental artists from around the nation.
We were honored to host turntablist and DJ Maria Chavez, and vocalist and musician Christina Carter of The Charalambides on May 11, 2018.
Maria and Christina’s site specific works took place in the atrium of the Crosstown Concourse building, an old Sears Roebuck building retrofitted for art galleries, residential and commercial spaces. The result is echoing vocals and scratchy, vinyl sounds that swirl up a red staircase to the entrance of the stage.
Enjoy this Sound Observations performance in this month’s episode below.
To hear about Maria’s performance in Marfa, TX a few years ago, tune into an earlier episode on the Marfa Myths festival!
“….the synthesis of music, art and technology.”
Moogfest continued… brings you a brief interview with Kai Riedl, Operations Director at Moogfest. He says this festival seeks to bring new forms of creativity, form communities around art and technology, and create spaces for artists of all inclinations, genres, subcultures and movements.
Although it seems timely to showcase female and non-binary artists this year, according to Kai, Moogfest has had a history of being an inclusive festival.
Check out the interview below!
Tracks in the episode:
Smerz – Worth It
Caterina Barbieri – Information Needed to Create
Mouse on Mars – Dimensional People I
Jon Hopkins – Singularity
Michael Stipe – Everything’s Coming Undone
Sonosphere ventured out to North Carolina for MoogFest this year and we caught up with Memphis-based Delta Sound Labs.
Their audiovisual installation called Vorticity was a collaboration between Delta Sound Labs + Nokia Bell Labs at American Underground in Durham, NC. This interactive, data-art set brought science and art together. Of the free programming, this fun, collaborative piece showcased what Delta Sound Labs can create with innovative, high-speed Schlieren imaging equipment and two sonified datasets. Colorful bubbles sliding around the screen were generated and distorted with every new person walking through the scene.
“The sets are converted to analog control voltage using Delta Sound Labs’ Control module and then mapped to determine the timbral structure of two voltage controlled oscillators through a form of distortion synthesis called wavefolding. Each data set forms two short sections, which are repeated continuously,” as explained by the guys themselves. Check out their Moogfest experience on their blog.
video from deltasoundlabs.com
For more on our trip to MoogFest – check out our podcast interview with Tess Roby!
Hi guys, this month we highlight our conversation with Tess Roby from our Moog Fest visit back in May this year. She recently released her debut album Beacon on Italians Do It Better.
Hailing from Montreal, Tess Roby brings dreamy synths and strong vocals on melodic tracks like “Given Signs” and “Catalyst.” She talks to us about her inspiration for Beacon, how her photography inspires songwriting and how growing up in a musical family lead her to collaborating with her brother on her debut.
Sonosphere spoke with Rachel Grimes about her score for the film The Doctor from India. Rachel talks about the composition and the ways this film has inspired her to pay closer attention to the way she lives her own life. The interview took place via telephone on April 4th, 2018 and Rachel talks about the importance of this date. Enjoy!
An ethereal and meditative soundtrack album from pianist and composer Rachel Grimes (Rachel’s, King’s Daughters & Sons), The Doctor from India features piano, Scott Moore on violin, Jacob Duncan on saxophone, interspersed with harp, strings, and ambient sound design. Created for a new documentary film by Jeremy Frindel, this score provides a thematically unified soundscape to support the inspiring story of Dr. Vasant Lad, a holistic health pioneer whose approach centers around the ancient practice of Ayurveda. The immersive, contemplative track “Moving Into Night” is streaming now on Bandcamp, and you can also pre-order the album.
The film had its world premiere at the Santa Barbara International Film Festival on February 2, 2018. Zeitgeist Films, in association with Kino Lorber, will be screening theatrically throughout the spring alongside a VOD release. The film tells fascinating story of one man’s mission to bring the ancient healthcare system of wellness called Ayurveda from India to the West in the late 1970s. In this meditative, immersive portrait, with interviewees including Ayurvedic practitioner Deepak Chopra, Frindel documents the life and work of Dr. Vasant Lad who, fulfilling his destiny as foretold by his family guru became a holistic health pioneer, helping to bring Ayurveda, which was almost unknown when he first arrived in the west, to become one of the most prominent alternative health systems in the world today. Check out the film site and watch the trailer.
Heralded as “one of American independent music’s few truly inspired technicians” by WIRE magazine, Rachel Grimes is a pianist, composer, and arranger based in Kentucky. Widely known for her role in the groundbreaking chamber ensemble Rachel’s, (six albums on Quarterstick/Touch and Go), she has since toured worldwide as a solo pianist, and as a collaborator with various artists.
Her work has been performed by ensembles such as the Louisville Orchestra, Kansas City Symphony, A Far Cry, Longleash, Portland Cello Project, Amsterdam Sinfonietta Trio, Dublin Guitar Quartet, Borusan Quartet and Önder sisters. Releases include Through the Sparkle (with astrïd on Gizeh Records 2017), The Clearing (Temporary Residence Ltd. 2015), Book of Leaves, Marion County 1938, and Compound Leaves. Collaborators include Matthew Nolan, Erik Friedlander, Loscil, SITI Company, Joan Shelley, Nathan Salsburg, Jacob Duncan, Scott Moore, astrid, Chris Wells, and Julia Kent with the artist Peter Liversidge. She is also a member of Louisville band King’s Daughters & Sons (Chemikal Underground). She scores for film and multimedia installations (Donna Lawrence Productions) and has licensed music to numerous film and TV works internationally.
Tracks (The Doctor from India):
The Doctor Arrives
The Flowering of Arurveda
The Art of Listening
I Do What I Love
New York City-based composer collective ICEBERG New Music was in residence at Crosstown Arts here in Memphis for two weeks of concerts, workshops, and lectures back in June of 2017.
We spoke with composers from the second of the two concerts in the Crosstown Arts series, and attended their workshops and lectures that ranged from a “Sound Scavenger Hunt” to a lecture on “Popular and Classical Music in 1960s America.” Memphis-based contemporary chamber group Blueshift Ensemble collaborated with ICEBERG and performed the collective’s original compositions for the concert series.
I hope you enjoy our talk about Iceberg’s mission, the future of new music, collaboration, blending genre’s and more!
Special thanks to Iceberg New Music, Jenny Davis and the Blueshift Ensemble, and Justin Thompson and the whole Crosstown Arts Community.
Alex Burtzos – OMAHA (all the things you could be you are you were) for string quartet
Drake Andersen – Photons for flute and clarinet
Yu-Chun Chien – Co-Composition for a cellist
Jonathan Russ – Eat Your Vegetables for solo clarinet
Harry Stafylakis – Unrelent for flute, clarinet, violin, cello, piano, and percussion
Cage let chance override musical composition the way it plays upon nature. He focused on the subtleties between sound and silence, the same way they intertwine in existence. Embracing noise as others did before him, including Russolo, Satie, and Varese, Cage was able to transcend the bounds of traditional music composition that would baffle the avant-garde world for decades. In this episode we talk with Laura Kuhn, James Pritchett, and Brian Brandt of Mode Records.